1809-1864 Hippolyte Flandrin Location Painter and lithographer, brother of Auguste Flandrin. He was initially discouraged from fulfilling his early wish to become an artist by Auguste lack of success, but in 1821 the sculptor Denys Foyatier, an old family friend, persuaded both Hippolyte and Paul to train as artists. He introduced them to the sculptor Jean-Francois Legendre-Heral (1796-1851) and the painter Andre Magnin (1794-1823), with whom they worked copying engravings and plaster casts. After Magnin death, Legendre-Heral took the brothers to the animal and landscape painter Jean-Antoine Duclaux (1783-1868). Hippolyte and Paul had both learnt the techniques of lithography from Auguste at an early age, and between the ages of 14 and 19 Hippolyte produced a number of lithographs, which he sold to supplement the family income. Many reflected his passion for military subjects (e.g. Cossacks in a Bivouac, c. 1825; Paris, Bib. N.). In 1826 the two brothers entered the Ecole des Beaux-Arts in Lyon, where Hippolyte studied under Pierre Revoil. Showing a precocious talent, he was soon advised to move to Paris, and having left the Ecole des Beaux-Arts in Lyon in 1829, he walked to the capital with his brother Paul; together they enrolled in the studio of Ingres. After several unsuccessful attempts, Hippolyte won the Grand Prix de Rome in 1832 with Theseus Recognized by his Father (1832; Paris, Ecole N. Sup. B.-A.), despite having suffered from cholera during the competition. His success was all the more spectacular given the general hostility to Ingres; Hippolyte was the first of his pupils to be awarded this prestigious prize. Hippolyte arrived in Rome in 1833; Paul joined him there in 1834. After first working on such subjects as Virgil and Dante in Hell (1836; Lyon, Mus. B.-A.), Hippolyte developed a taste for religious works during this stay. From 1836 to 1837 he worked on St Clare Healing the Blind for the cathedral in Nantes, winning a first-class medal at the 1837 Salon, and in 1838 he painted Christ Blessing the Children (Lisieux, Mus. Vieux-Lisieux), which was exhibited at the 1839 Salon.  Related Paintings of Hippolyte Flandrin :. | Young Man Beside the Sea 1 | Self-Portrait | Portrait of Madame Flandrin | Young Man Beside the Sea A study (mk05) | Self-Portrait |
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Caillebotte, Gustave
French Impressionist Painter, 1848-1894 .French painter and collector. Caillebotte's parents, of Norman descent, were wealthy members of the Parisian upper middle class, and his paintings often evoke his family background. After studying classics at the Lyc?e Louis Le Grand, he obtained a law degree in 1870, and during the Franco-Prussian War he was drafted into the Seine Garde Mobile (1870-71). He joined L?on Bonnat's studio in 1872 and passed the entrance examination for the Ecole des Beaux-Arts on 18 March 1873. The records of the Ecole make no mention of his work there, and his attendance seems to have been short-lived. He was very soon attracted by the innovative experiments, against academic teaching, of the young rebels who were to become known as the Impressionists. In 1874 Edgar Degas, whom Caillebotte had met at the house of their mutual friend Giuseppe de Nittis, asked him to take part in the First Impressionist Exhibition at the Nadar Gallery in the Boulevard des Capucines in Paris. However, it was only at the time of their second exhibition in April 1876 that, at Auguste Renoir's invitation, Caillebotte joined the Impressionist group. From then on he was one of the most regular participants in their exhibitions (1877, 1879, 1880, 1882). He organized the show of 1877 and made great efforts to restore the cohesion of the group by persuading Claude Monet to exhibit in 1879.
MASTER of Budapest
Spanish painter active c. 1500 in Castile
JOOS van Wassenhove
Dutch painter (active c.1460-80). South Netherlandish painter, active also in Italy. First documented in 1460, when he matriculated in the Antwerp painters' guild, he subsequently moved to Ghent, entering the painters' guild on 6 October 1464. In 1467 he painted 40 escutcheons with the papal arms for the cathedral of St Bavo, Ghent, his only documented commission in the Netherlands. He sponsored the entry of Hugo van der Goes to the Ghent guild on 5 May 1467 and of Sanders Bening on 19 January 1469, the last date on which Joos is recorded at Ghent. He is stated, in a document of 1475, to have departed for Rome some time previously, with an advance of money from Hugo van der Goes. It is not known if Joos reached Rome, but it is generally accepted that he worked at Urbino, where early sources mention a Netherlandish painter, Giusto da Guanto (Justus of Ghent), who was responsible for the altarpiece of the Communion of the Apostles (Urbino, Pal. Ducale) of 1473-4.